The Rest and the Void

Solo exhibition by Christeen Francis

The Rest and the Void is an immersive installation composed of large scale black and white woodcuts that are collaged within the space to create a hidden city environment; disjointed, fragmented, and under construction. The installation reflects the evolving landscape of urban areas, the changing concept of what it means to live in cities, and presents an exploration of both what cities should be, and for whom they should be… Our identities are intimately tied to the places we call home. As these landscapes undergo ceaseless construction, we become aware that our communal and personal identities exist in a state of constant flux. As housing becomes increasingly precarious, the socio-economic forces that drive gentrification leave people longing for a sense of ‘home’. The Rest and the Void attempts to reveal the fragility of the things we assume to be permanent by demonstrating; that the future of our cities is more vulnerable than we think, and that the places we call home are increasingly under threat.

Integrating the photographic digital process through laser engraving, as well as hand-carved elements, The Rest and the Void plays with mark making through a mix of digital and hand drawn imagery that corresponds to the blend of subject matter; from the fragmented buildings, to the dismembered coywolves that weave between them. The juxtaposition of styles creates a tension between the digital and the hand drawn, the urban and the wild, as well as the traditional and the contemporary which calls into question the printmaking process while simultaneously drawing on its rich history. The Rest and the Void hopes to convey an uneasiness, as well as a space to question the current shifts in cities, and to consider the possibilities for coexistence and change within them.

 

Biography

Christeen Francis completed her BFA at NSCADU, spent nine years in New York City, and recently returned to her hometown of Montreal to pursue an MFA in Print Media at Concordia University. Primarily a screenprinter and musician, she ran a print shop in Brooklyn and played in several bands. A long time activist and printmaker, she is committed to print that engages with local communities and the public at large. She has exhibited in Canada, the United States, Germany, and Iceland. Her research interests include the right to the city, urban wildlife, displacement, and the homogenization of cities and culture.

 

Opening reception: Friday, October 11th, 7-9 pm
with and Artist’s Talk at 6 pm in the Printshop


Free Admission

SNAP is a public gallery so admission to our exhibitions is always free!

10123 121 St NW, Edmonton, AB T5N 3W9
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October 11, 2019 - November 16, 2019

MondayClosed

Tuesday12-6pm

Wednesday12-6pm

Thursday12-7pm

Friday12-5pm

Saturday12-5pm

SundayClosed