Printmaking processes can be materially fragile: litho stones break in the press, silkscreens rip open mid-edition, and the malleable surface of etched copper plates begin to break down during printing. All the ways of eking out a living as an artist can also feel fragile, precarious, and oftentimes not even possible. The content and contributions for this edition of SNAPline reached much further, filling out this issue with a nuance and attention to detail that we are proud to publish.